Pod Xt Live Drivers For Mac
Photo: Photos: Mark Ewing This updated Line 6 unit combines improved amp modelling, compression, enhanced EQ, and a sizeable repertoire of modelled stomp-box effects. Like the guitar PodXT, the Bass PodXT is based on the newer-generation Line 6 Vetta modelling technology, and aims to provide the recording bass player with more accurate amp and speaker emulations, more flexible effects, and a higher technical quality of audio performance. As with the PodXT, there's also a USB port so that the output from the unit can be recorded directly into a sequencer without the need for any other kind of audio interface. At the time of writing, audio and MIDI drivers were available for most flavours of Windows (XP, 2000, ME, 98SE) and Mac OS 9, but the Mac OS X driver currently supports only MIDI, not audio. However, all this may have changed by the time you read this, so check out the Line 6 web site to see the latest situation. Photos: Mark Ewing The Bass PodXT has four independent effects sections in addition to compression (five if you count the new six-band EQ), for adding effects such as reverb, delay, sub-octave, auto-wah, synth, chorus/flange, and so on, as well as emulations of a number of classic stage and studio effects boxes.
Pod Xt Live For Sale
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Many of these are the same as those available in the PodXT, and most are derived from algorithms developed for the Line 6 pedal and rack effects processors. Island experiment game free pc download. For live use, it's also possible to set up a crossover with a choice of frequency and slope between the two outputs, for use with bi-amped systems.
An effective noise gate is available, with settings that can be stored separately for each patch. The Bass PodXT's kidney-shaped case is the same as for its six-string counterpart, except for its dark-grey colour and the control legending, which reflects the different types of EQ and processing required by bass instruments. Presence has gone, and in its place are separate Lo Mid and Hi Mid controls to augment the more familiar Bass and Treble. Similarly, the knob that controlled reverb on the PodXT now accesses compression, which is always available.
• 'Analogue Chorus' — Boss CE1 chorus. • 'Analogue Delay' — Boss DM2 delay. • 'Analogue w/Mod' — Electro-Harmonix Memory Man. • 'Auto Wah' — Mutron III • 'Blue Comp' — Boss CS1 compressor.
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• 'Classic Distortion' — Proco RAT. • 'Facial Fuzz' — Arbiter Fuzz Face.
• 'Fuzz PI' — Electro-Harmonix Big Muff Pi. • 'Jet Flanger' — A/DA Flanger. • 'Lux Spring' — Fender Deluxe dual spring.
Pod Xt Pro
• 'Multi-Head' — Roland RE101 Space Echo. • 'Octave Fuzz' — Tychobrahe Octavia. • 'Phaser' — MXR Phase 90. • 'Red Comp' — MXR Dynacomp. • 'Rotary Drum' — Leslie Vibratone. • 'Screamer' — Ibanez Tube Screamer. • 'Standard Spring' — Fender Twin triple spring.
• 'Tube Echo' — Echoplex. • 'U-Vibe' — Uni-Vibe. The control panel comprises eight rotary potentiometer controls plus four rotary encoders and 13 buttons.
Like the guitar version, there's one high-impedance mono input jack plus two outputs, on balanced jacks, but rather than the output being stereo, it is configured as one mono modelled output and one straight mono DI output (phase-aligned with the modelled output). There's also the bi-amped mode that routes low frequencies to the DI output and high frequencies to the modelled output. A backlit, custom LCD window shows patch names, parameter settings, and the positions of any virtual controls while editing — a great improvement over the original Pod.
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MIDI In and Out connectors are located on the rear edge of the unit, along with the USB port and the power supply's input socket. There's also a Pedal foot-control connection that uses an Ethernet-style cable to connect to one of the compatible Line 6 Floorboard units. 
This is particularly useful in live performance, and it's the only way to access the internal wah-wah pedal simulation, unless you happen to have a suitable MIDI pedal. A powerful phones output is available for practice.
Although the main EQ is slightly different to the guitar version, the Drive, Channel Volume and master Output controls are the same. The six-band semi-parametric EQ is available for use at the same time as the regular 'amp' EQ, while the inclusion of a dedicated compressor is also a good move, as compression is far more relevant to the bass guitar than reverb. This is based on the same LA2A compressor model used in the Bass Pod and PodXT, though other stomp box-style compressors are also available in the general effects section. A level-compensation system is used, so that the overall level stays nominally constant when the compression control is adjusted. Hp ethernet 1gb 4-port 331flr drivers for mac.
